ActRaiser review - Super Nintendo

Although this has loads of Japanese text, understanding it isn't vital to the game, and while it might look complicated, it's surprisingly easy to control the action once you've learned what the icons do. And once you get into it, it's difficult to stop playing. The creation part is enjoyable, but the best bits are the six graphically incredible parallax-scrolling arcade levels (just check out the screenshots). Not only do they look good, but they sound utterly amazing - it's like there's a full orchestra inside the Super Famicom! The gameplay is tough, almost frustrating at times, but the quality of the entire program is so good, you just keep on coming back for more. If you're lucky enough to own a Super Famicom, this is an absolute must.

At first glance, this looked like a Populous rip-off with its "control your minions" idea. Once I studied the game in more depth, its great playability came apparent. The arcade sections are fantastic, and feature the best music ever heard on a console or computer and offer a challenge that's tough without being dispiriting. The graphics are also outstanding, especially in the final showdown. The strategic element works well, although it may put off some people - they'd be silly to miss a game of this quality. If you've a Super Famicom, this MUST be your next purchase!

When I saw the review of this game in Mean Machines I was quite literally heartbroken. My Megadrive was (technically, at least) no longer the most powerful console in the world. Nintendo's new machine was special - the glorious screenshots splashed across the pages of the magazine proved that much at least - and the Mean Machines team gave this game a glowing review, too. I simply had to play this game.

When I eventually got around to doing so (I had to wait until the PAL release) the impact of the title had not lessened one bit. The game concept is genius and you have to wonder why no one has tried this since. The platforming sections are as good as any other game you could mention, and coupled with the brilliant 'God Sim' portion of the game it made for a classic title. Some might say that the two types of gameplay don't sit together too well, but I personally loved it. It was unusual and unique and at the time it felt suitably cutting-edge. However, my dad hated it as he was into his God sims and he couldn't progress through the platform sections!

A special mention must go to the music - composed by Yuzo Koshiro (of Streets of Rage fame), it really is a generation apart from some of the Megadrive music around at the time.